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  • Alienation - A Dictionary of Creativity by Eugene Gorny (Ed.)
    Estrangement from other people society work God or oneself As Currie 1974 9 points out the concept of alienation includes the propositions that the self is divided from the self and that the self is divided from the world These prepositions establish the universality of the concept of alienation because the mind seems to reflect upon itself and upon the world as objects and therefore as things separated alienated from

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  • Altered states of consciousness - A Dictionary of Creativity by Eugene Gorny (Ed.)
    Altered states of consciousness Conscious states that can be recognized by an individual or by an external observer of that individual as representing a major difference in behaviour and experience from ordinary baseline states of waking consciousness They can be stable over time and involve changes in a number of the subsystems of consciousness Krippner 1999 There have been a few attempts at building up taxonomies of altered states of

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  • Ambiguity - A Dictionary of Creativity by Eugene Gorny (Ed.)
    curve Alienation Altered states of consciousness Ambiguity Amorphous cognition Approaches to creativity Artificial intelligence Aspects of creativity Assessment Associationism Associative theory Audience Autonomy References Creativity Links Ambiguity Ambiguity is the possibility of interpreting an expression in two or more distinct ways or an instance of such an expression William Empson 1930 described seven types of ambiguity in a book under the same title Ambiguity Dictionary of Creativity Terms Concepts Theories

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  • Amorphous cognition - A Dictionary of Creativity by Eugene Gorny (Ed.)
    curve Alienation Altered states of consciousness Ambiguity Amorphous cognition Approaches to creativity Artificial intelligence Aspects of creativity Assessment Associationism Associative theory Audience Autonomy References Creativity Links Amorphous cognition Arieti 1976 54 defines amorphous cognition as a kind of cognition that occurs without representation that is without being expressed in images words thoughts or actions of any kind See also endocept Amorphous cognition Dictionary of Creativity Terms Concepts Theories Findings in

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  • Approaches to creativity - A Dictionary of Creativity by Eugene Gorny (Ed.)
    Altered states of consciousness Ambiguity Amorphous cognition Approaches to creativity Artificial intelligence Aspects of creativity Assessment Associationism Associative theory Audience Autonomy References Creativity Links Approaches to creativity Major approaches to creativity include study of genius psychodynamic approach humanistic approach psychedelic approach psychometric approach behavioural approach cognitive approach including gestalt theory evolving system approach historiometric approach and the social personality approach Approaches to creativity Dictionary of Creativity Terms Concepts Theories Findings

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  • Artificial intelligence - A Dictionary of Creativity by Eugene Gorny (Ed.)
    intelligence Aspects of creativity Assessment Associationism Associative theory Audience Autonomy References Creativity Links Artificial intelligence A computer software that enables a computer or robot to carry on tasks we could consider intelligent if done by a person It includes giving expert advice understanding natural language speaking intelligently and recognizing complex patterns The three most important types of artificial intelligence are Expert Systems Natural Language Programs and Neural Networks Patterson 1990

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  • Aspects of creativity - A Dictionary of Creativity by Eugene Gorny (Ed.)
    of consciousness Ambiguity Amorphous cognition Approaches to creativity Artificial intelligence Aspects of creativity Assessment Associationism Associative theory Audience Autonomy References Creativity Links Aspects of creativity Creativity has been traditionally considered as consisting of four components or aspects 1 the creative process 2 the creative person 3 the creative product and 4 the creative environment or situation MacKinnon 1970 Mooney 1963 Arieti 1976 Aspects of creativity Dictionary of Creativity Terms Concepts

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  • Assessment - A Dictionary of Creativity by Eugene Gorny (Ed.)
    creativity This factor has been recently emphasized in the framework of the system approach which regards creativity as a process at the intersection of individual social and cultural factors Amabile 1983 1996 Hennessey and Amabile 1999 Csikszentmihalyi 1988 1996 1999 Woodman and Schoenfield 1989 The partisans of this approach tend to regard creativity as a product of social consensus rather than a result of personal differences As Czikszentmihalyi 1996 29 put it W e don t need to assume that the creative person is necessarily different from anyone else In other words a personal trait of creativity is not what determines whether a person will be creative What counts is whether the novelty he or she produces is accepted for inclusion in the domain This may be result of chance perseverance or being at the right place at the right time Because creativity is jointly constituted by the interaction among domain field and person the trait of personal creativity may help generate the novelty that will change a domain but it is neither a sufficient nor a necessary condition for it However the emphasis on the social aspect of creativity narrowly understood as the evaluation by the field of experts logically leads Czikdzentmihaly to a rather absurd conclusion ibid 30 According to the system model it makes perfect sense to say that Raphael was creative in the sixteenth and in the ninetieth centuries but not in between or afterwards Raphael is creative when the community is moved by his work and discovers new possibilities in his paintings But when his paintings seem mannered and routine to those who know art Raphael can only be called a great draftsman a subtle colorist perhaps even a personally creative individual but not creative with a capital C He maintains that creativity can be

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